Documenting Education

This semester I taught a grad student seminar called “Documenting Education” at the University of Vienna in the faculty of Philosophy and Education. I had planned on discussing the long-term documentary Die Kinder von Golzow (dir. Winfried Junge; later Barbara Junge and Winfried Junge, 1961-2007), about a school class in the German Democratic Republic. The department then asked that I teach the course in English, and I suddenly needed a new syllabus. I decided to keep the general theme of the course and expand it to ask questions about how media, and movies in particular, portrayed education (broadly conceived) and how people learn in a society. We read standard literature from how movies function pedagogically to whether advertisements on TV do anything but convince people to buy things to the issue of violence in video games and violence in society. We watched movies and clips from productions like The Blackboard Jungle (1955, dir. Richard Brooks), Lady Gaga music/commercial videos, and parts of Michael Apted’s Up-Series (1964-2012).

blackboard jungle movie poster

I had expected students to enjoy the mixture of media pedagogy theory with applying these ideas to films and other media of their choice, and that the use of visual material would help encourage them to read and write with confidence in a foreign language. I had not expected the intensity of our sessions, or the eloquent conversations they conducted on-line throughout the week, or that I would find myself so engrossed in reading their seminar papers that I lost track of time (birdsong is a good indication that the dawn has approached). What surprised me most was the variety of lessons that the students took from the class. Anthropomorphism in Disney films as an extension of Aesop’s fables, comparisons of teaching philosophies in films about the Vietnam War vs. about a school, the evolution of portrayals of lesbianism in the many versions of Mädchen in Uniform, including the 1931 Sagan/Froehlich and 1958 Radvanyi (starring Romy Schneider) versions and the play by Christa Winsloe that the films were based on, and so many more topics than I could have hoped for when I started the course. Every few years the combination of students and topic make for a dream team of a class, and this was one such semester. My only regret? That we did not document our own education during the course.